Master Tatsuo Shimabuku.
Master Tatsuo Shimabuku, founder of the Isshinryu Karate System, was born September 9, 1908 in the village of Kiyan on the island of Okinawa. As a young boy, Shimabuku's father told him to go to Naha and learn karate so that he could defend himself. At the age of 15, Shimabuku traveled by foot 15 miles to Naha and sought out the Dojo of Motobu Choki.
Motobu took one look at the skinny young man and told him to practice running instead of karate, so that he could flee from his attackers. Although dejected, Shimabuku would not give up, appearing at the dojo every day and peering over the wall to watch the students and try to mimic their movements. Finally, Motobu invited Shimabuku inside and asked him why he wanted to learn karate. After explaining his situation at home, Motobu finally accepted him as a student requiring Shimabuku to clean the dojo for one month prior to beginning formal lessons as a test of patience, sincerity and perseverance. Satisfied with Shimabuku's humble character, Motobu taught him hand and foot techniques, sparring, and makiwara training exercises.
Shimabuku also studied under Master Chotoku Kiyan, through a reference from a friend. Another renowned teacher Kiyan was impressed with young Shimabuku's talent, and immediately accepted him as a student. Shimabuku studied Shorinryu under Master Kiyan and was ranked as his number one student during that time period. Shimabuku would later refine and incorporated Shorinryu katas into Isshinryu. Having achieved great proficiency in Shorinryu, Shimabuku's love of karate and thirst for knowledge led him to seek out famed Okinawan Gojuryu Master Chojun Miyagi.
Gojuryu is s system of hard Okinawan karate with soft early Chinese forms. Gojuryu is noted for its dramatic breathing methods. The hard and soft breathing teaches one to tighten the body to withstand an attacker’s blow. Miyagi Sensei taught Shimabuku two kata's, which he later refined and modified into Isshinryu. With his mastery of Shorinryu and Gojuryu complete, Shimabuku next sought out the kobudo Weapons Master, Taira Shinken. At the time, he was the world's greatest expert in the bo and sai.
Master Shimabuku believed strongly in the learning of weapons, feeling a karate system without weaponry was incomplete. He saw the continuation of weapons training as a way of preserving an important part of Okinawan culture and the Samurai fighting spirit. From Master Shinken, Shimabuku learned weapons kata's, and like the hand and foot katas of Shorinryu and Gojuryu, he later refined and modified them into his Isshinryu system.
Master Shimabuku was recognized throughout the Ryu-Kyu Islands as one of the leading practitioners of Shorinryu and Gojuryu karate. People were amazed by his flawless kata performances and his ability to drive nails through pieces of wood with the knife-edge of his hand., Shimabuku was also a businessman, owning a small concrete manufacturing company. With the arrival of World War II to the islands, his company was completely destroyed and he went bankrupt. Shimabuku fled to Miyazaki, Japan while his homeland was crumbling. During this period he worked as a farmer and trained religiously in his beloved karate. It was during this exile that he first had thought about developing his own system of karate.
Upon his return to Okinawa after World War II, he took up farming and practiced Karate privately for his own spiritual and physical exercise. In the early fifties, he began to teach a small select group of people in the courtyard of his home in Agena village. He began to see three major areas he felt needed modification, blocking, punching and fist techniques. He felt that by keeping the wrist straight and blocking with the muscle of the forearm, wrist injuries would be eliminated, and they were. Shimabuku noticed that turning the fist at the last moment when punching had many limitations. Turning of the fist only allows for one point of focus, which is at the very end of the punch. The turning motion also slows the punch and the locking out of the elbow can cause injuries. Master Shimabuku also noticed that even though he was teaching the traditional "cork-screw" punch, students were not using it when sparring. Instead, they instinctively punched straight without turning for quickness and greater power. For the purpose of greater speed and power, Master Shimabuku implemented the straight vertical punch into his system. Thirdly, to coincide with the vertical punch Master Shimabuku developed the unique vertical fist, which has become the trademark of the Isshinryu system.
Unlike other styles of karate that keep the thumb down around the fingers, Isshinryu placed the thumb on top of the fingers. Master Shimabuku found that the thumb on top of the fingers raised cords on the upper wrist making the wrist stronger and more stable during contact with the Makiwara, in combat or when breaking. The thumb on top also helps prevent the thumb from catching on the uniform during execution of the technique. The Isshinryu fist also enables the bones of the hand to line up perfectly straight when striking to avoid damage on impact.
The martial arts community met Master Shimabuku's innovations with mixed feelings in the beginning. Those with insight praised his developments while some traditionalists saw him as a rebel upsetting the tradition of ancient ways. Regardless of what was said, Master Shimabuku never swayed from his beliefs and he was rewarded by Isshinryu's growth and popularity as one of the world's leading Karate styles. In 1953, when Master Shimabuku was about to formally present his system to the world, one of his top students suggested the name Isshinryu meaning "one heart way." Master Shimabuku embraced the idea because he felt the name Isshinryu stood for all he thought karate should be.
The one heart signifies ones character. In other words, Shimabuku felt a person's heart or character was more important than his or her physical abilities. Shimabuku always said a karate man is first a gentleman who shows respect and courtesy to everyone, not intimidation and fear because of his karate skills. Master Shimabuku saw Isshinryu, as a positive character building art and all Isshinryu practitioners must keep in mind that they represent not only their school but also their teacher. To Master Shimabuku, karate has four purposes:
1. To strengthen the mind and body
2. To instill self-discipline
3. To instill self-confidence
4. To gain a means of self-defense, the knowledge of which should never be misused.
As you can see now, Isshinryu is made up of what Master Shimabuku felt to be the best elements of Shorinryu, Gojuryu and Kobudo. Master Shimabuku traveled to the United States in
1964 and 1966 to promote Isshinryu karate, but never enjoyed the rigors of traveling or leaving his beloved homeland. In 1967, Master Shimabuku sent Master Angi Uezu to the United States as his
personal representative to carry on his teachings through seminars and lectures. Master Shimabuku died May 30, 1975 at the age of 68, a tremendous loss to Isshinryu.